Arturo Profili, secretary of the Second São Paulo Biennial, writes to René d'Harnoncourt to find out if MoMA, New York, agrees with the loan of Guernica, given that the painter has given his consent. Pablo Picasso’s idea is for Guernica to be the centrepiece of the exhibition.

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Reference in the source Archive:
02BSP_00012_DOCUM

Courtesy Arquivo Histórico Wanda Svevo/Fundação Bienal de São Paulo

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Arturo Profili's letter to René d'Harnoncourt