Arturo Profili's letter to René d'Harnoncourt | Repensar Guernica

Arturo Profili's letter to René d'Harnoncourt

Arturo Profili, secretary of the Second São Paulo Biennial, writes to René d'Harnoncourt to find out if MoMA, New York, agrees with the loan of Guernica, given that the painter has given his consent. Pablo Picasso’s idea is for Guernica to be the centrepiece of the exhibition.

Author:

Arturo Profili

Year:

1953

Medium:

Institutional correspondence

Archived in:

Arquivo Histórico Wanda Svevo/Fundação Bienal de São Paulo

Reference in the source Archive:

02BSP_00012_DOCUM

Courtesy Arquivo Histórico Wanda Svevo/Fundação Bienal de São Paulo

Stories:

Guernica according to Picasso A Key Museum Component

Related topics:

Picasso, the Second São Paulo Biennial, 1953–1954 2nd São Paulo International Biennial, 1953 São Paulo

Browse in chronology :

Institutional correspondence Arturo Profili Guernica according to Picasso

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Arturo Profili's letter to René d'Harnoncourt

EN Vistas del Pabellón Español en la Exposición Internacional de las Artes y las Técnicas para la Vida Moderna

Paris, 1937 - Photograph

Views of the Spanish Pavilion at the Paris International Exhibition of Art and Technology in Modern Life

EN Notas de Alfred H. Barr Jr. al guion de la película Guernica de Robert Flaherty

1945 - Internal museum documents

Alfred H. Barr Jr.'s notes for the screenplay of the film Guernica by Robert Flaherty

Daniel-Henry Kahnweiler's letter to Alfred H. Barr Jr., dated 29 May 1947

Paris, 29 May 1947 - Institutional correspondence

Daniel-Henry Kahnweiler's letter to Alfred H. Barr Jr., dated 29 May 1947

Willem Sandberg's letter to Pablo Picasso, dated 16 November 1953

Amsterdam, 16 November 1953 - Institutional correspondence

Willem Sandberg's letter to Pablo Picasso, dated 16 November 1953