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Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, front cover

Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, 1

Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, 2

Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, 3

Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, 4

Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, 5

Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, 6

Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, 7

In her introduction to this book, Rosalyn Deutsche discusses Walter Benjamin’s concept of ‘Left Melancholy’ in relation to art produced since the attacks on September 11, 2001, on US soil.

Author:

Rosalyn Deutsche

Year:

2010

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Article

From Hiroshima after Iraq: Three Studies in Art and War, by Rosalyn Deutsche. Copyright © 2020 Columbia University Press. Reprinted with permission of Columbia University Press.

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Hiroshima after Iraq: Three Studies in Art and War