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11 documents have been found dated from 2008.

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2008 - Photograph

Replica mural of Guernica in Triei to protest against the war in Palestine

Si hacéis la guerra... ¿cómo educar para la paz? Solidaridad con Palestina

If you wage war… How do you educate for peace? Solidarity with Palestine

Guernica en la colección permanente del Museo Reina Sofía

Madrid, 2008 - Photograph

Guernica in the Museo Reina Sofía permanent collection

Picasso. The Collection from the Musée National Picasso Paris

Exhibitions - Photograph

Picasso. The Collection from the Musée National Picasso Paris

Klinge Road Mural

Washington DC, 27 de septiembre de 2008 - Photograph

Klinge Road Mural

Guernica con personajes de la serie Los Simpson

2008 - Painting

Guernica with characters from the The Simpsons

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Action protest, Seville, October 2, 2008 - Action

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“In what ways have artists, academics, and cultural institutions responded to the U.S. led invasion and occupation of Iraq?”, <em>October</em>, Boston, no. 123 (winter 2008)

<em>October</em>, Boston, no. 123 (winter 2008) - Magazine

“In what ways have artists, academics, and cultural institutions responded to the U.S. led invasion and occupation of Iraq?”

Exhibition view of <em>That was Then, This is Now</em>, MoMA PS1, New York, June 22 – September 22, 2008

Exhibition, MoMA PS1, New York, June 22 – September 22, 2008 - Exhibition

That was Then, This is Now

Paco González, <em>Sevilla. Política cultural. BIACS</em> (Seville. Cultural Policies. BIACS), 2008. Available at: publicaciones.zemos98.org

Report, 2008 - Article

Sevilla. Política cultural. BIACS (Seville. Cultural Policies. BIACS)

Okwui Enwezor, “Archive Fever: Photography between History and the Monument”, in <em>Archive Fever: Uses of the Document in Contemporary Art</em>, New York: International Center of Photography, exh. cat., 2008, 11-51

<em>Archive Fever: Uses of the Document in Contemporary Art</em>. New York: International Center of Photography, exh. cat., 2008, 11–51 - Essay

“Archive Fever: Photography between History and the Monument”