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41 documents have been found of type Article o Collective o Petition.

Petition from the Art Workers’ Coalition (AWC) and the Artists and Writers Protest (AWP) to Pablo Picasso to remove <em>Guernica</em> from MoMA, New York, March 11, 1970

New York, March 11, 1970 - Petition

A petition from the Art Workers' Coalition to remove Guernica from the galleries of the museum

Jan van Raay’s Flickr account

Women Artists in Revolution (W.A.R.)

William F. Pepper and Benjamin Spock, “The Children of Vietnam”, <em>Ramparts</em>, San Diego, vol. 5, no. 7 (January 1967): 44–68

<em>Ramparts</em>, San Diego, vol. 5, no. 7 (January 1967): 44–68 - Article

“The Children of Vietnam”

Leon Golub, "The Artist as an Angry Artist: The Obsession with Napalm”, <em>Arts Magazine</em>, New York, vol. 41, no. 6, (April 1967): 48

<em>Arts Magazine</em>, New York, vol. 41, no. 6, (April 1967): 48–49 - Article

“The Artist as an Angry Artist: The Obsession with Napalm”

Petition from Angry Arts to Picasso to withdraw <em>Guernica</em> from MoMA, New York, April 1967

New York, April 1967 - Petition

A request from Angry Arts to support the withdrawal of Guernica from the Museum of Modern Art, New York

James F. Colaianni, "Napalm: Made in USA. A Small-Town Diary", <em>Ramparts</em>, San Diego, vol. 5, no. 3 (August, 1966): 46

<em>Ramparts</em>, San Diego, vol. 5, no. 3 (August, 1966): 46–50 - Article

“Napalm: Made in USA. A Small-Town Diary”

“The Massacre at My Lai”, <em>Life</em>, New York, December 5, 1969, 36–37

<em>Life</em>, New York, December 5, 1969, 36–45 - Article

“The Massacre at My Lai”

Susan Sontag, "Building A Tower For Peace”, <em>Los Angeles Free Press</em>, Los Angeles, vol. 3 (9), no. 85 (March 4, 1966): front cover

<em>Los Angeles Free Press</em>, Los Angeles, vol. 3 (9), no. 85 (March 4, 1966): front page and inside pages (4–5) - Article

“Building A Tower For Peace”

Rosalyn Deutsche, "Introduction", in <em>Hiroshima after Iraq: Three Studies in Art and War</em>, New York: Columbia University Press, 2010, front cover

New York: Columbia University Press, 2010 - Article

Hiroshima after Iraq: Three Studies in Art and War

The New Yorker, "Ten Years of Abu Ghraib", <em>The New Yorker</em>, New York, April 28, 2014

<em>The New Yorker</em>, New York, April 28, 2014 - Article

"Ten Years of Abu Ghraib"

Website of the documentary <em>The Heretics</em> (2009) by Joan Braderman

Heresies Collective

Michele Wallace, <em>The Manifesto of WSABAL, Women Students and Artists for Black Art Liberation</em>, New York: WSABAL, June 1970

Women Students and Artists for Black Art Liberation (WSABAL)

Excerpt from “Reading 1968: The Great American Whitewash”, available in: ringgoldinthe1960s.blogspot.com, September 30, 2009

<em>Invisibility Blues: From Pop to Theory</em>, London and New York: Verso, 1990 - Article

“Reading 1968: The Great American Whitewash”

Martin Herbert, “2nd Seville Biennial”, <em>Frieze</em>, London, no. 104 (January–February 2007), January 1, 2007

<em>Frieze</em>, London, no. 104 (January–February 2007), January 1, 2007 - Article

“2nd Seville Biennial”

Javier Martín-Arroyo, “El fiasco de la Bienal de Arte de Sevilla acaba en condena” (The fiasco of the Art Biennial of Seville ends up with a sentence), <em>El País</em>, January 21, 2016

<em>El País</em>, January 21, 2016 - Article

“El fiasco de la Bienal de Arte de Sevilla acaba en condena” (The fiasco of the Art Biennial of Seville ends up with a sentence)

Paco González, <em>Sevilla. Política cultural. BIACS</em> (Seville. Cultural Policies. BIACS), 2008. Available at: publicaciones.zemos98.org

Report, 2008 - Article

Sevilla. Política cultural. BIACS (Seville. Cultural Policies. BIACS)

Alexander Nazaryan, “Mark Lombardi's Art Was Full of Conspiracies—Now His Death Has Become One”, <em>Newsweek</em>, New York, March 10, 2015

<em>Newsweek</em>, New York, March 10, 2015 - Article

“Mark Lombardi's Art Was Full of Conspiracies — Now His Death Has Become One”

Carol Duncan and Alan Wallach, “The Museum of Modern Art as Late Capitalist Ritual: An Iconographic Analysis”, <em>Marxist Perspectives</em>, New York, vol. 1, no. 4 (winter, 1978): 28–29

<em>Marxist Perspectives</em>, New York, vol. 1, no. 4 (winter, 1978): 28–51 - Article

“The Museum of Modern Art as Late Capitalist Ritual: An Iconographic Analysis”

Alan Wallach, “The Museum of Modern Art: The Past’s Future”, <em>Journal of Design History</em>, vol. 5, no. 3 (1992): 207

<em>Journal of Design History</em>, vol. 5, no. 3 (1992): 207–215 - Article

“The Museum of Modern Art: The Past’s Future”

Seymour Hersh, “Lieutenant Accused of Murdering 109 Civilians”, <em>St. Louis Post-Dispatch</em>, Saint-Louis, November 13, 1969, front page

<em>St. Louis Post-Dispatch</em>, Saint-Louis, November 13, 1969, front page and inside pages - Article

“Lieutenant Accused of Murdering 109 Civilians”

Front cover of <em>Life</em>, New York, November 8, 1968

<em>Life</em>, New York, November 8, 1968, front cover - Article

“As the bombing stops—THIS GIRL TRON”

Robert Lowell, “Judgment Deferred on Lieutenant Calley”, <em>The New York Review of Books</em>, New York, May 6, 1971

<em>The New York Review of Books</em>, New York, May 6, 1971 - Article

“Judgment Deferred on Lieutenant Calley”

Leon Golub, “Guernica, the Apocalypse of Saint-Sever”, in Hans-Ulrich Obrist (ed.), <em>Leon Golub: Do Paintings Bite? Selected Texts 1948–1996</em>, Ostfildern: Hatje Cantz, 1997, 184

Hans-Ulrich Obrist (ed.), <em>Leon Golub: Do Paintings Bite? Selected Texts 1948–1996</em>, Ostfildern: Hatje Cantz, 1997, 184–191 - Article

“Guernica, the Apocalypse of Saint-Sever”

Francis Frascina, “Berlin, Paris, Liverpool: ‘Biennialization’ and Left Critique in 2012”, <em>Journal of Curatorial Studies</em>, Toronto, vol. 2, no. 1 (February 1, 2013): 2–31(30)

<em>Journal of Curatorial Studies</em>, Toronto, vol. 2, no. 1 (February 1, 2013): 2–31(30) - Article

“Berlin, Paris, Liverpool: ‘Biennialization’ and Left Critique in 2012”